MoviesChicago Film Festival 2023: The Boy and the Heron is (another) moving capstone to Miyazaki’s career Abby Monteil, October 26, 2023
MoviesChicago Film Festival 2023: May December is Persona for the true crime set Abby Monteil, October 26, 2023
MoviesChicago Film Festival 2023: Evil exists in Evil Does Not Exist, Ryûsuke Hamaguchi’s pointed look at everyday moral failings Abby Monteil, October 26, 2023
MoviesChicago Film Festival: Late Night with the Devil showcases KC’s David Dastmalchian Abby Monteil, October 26, 2023
MoviesChicago Film Festival 2023: Yorgos Lanthimos’ Poor Things is a steampunk absurdist romp through female autonomy Abby Monteil, October 26, 2023
MoviesSundance 2023: Thriller Eileen is a jagged ride full of beautiful turbulence Abby Monteil, October 26, 2023
MoviesSundance: Cat Person’s screen adaptation hisses rather than purrs Abby Monteil, October 26, 2023
MoviesSXSW: How It Ends is an affable comedy that overstays its welcome Abby Monteil, October 26, 2023
MoviesSXSW: Potato Dreams of America is an inventive queer tale that falls short of autobiographical greatness Abby Monteil, October 26, 2023
MoviesSXSW: Witch Hunt’s ambition can’t escape its troubling supernatural allegory Abby Monteil, October 26, 2023
MoviesSundance Film Festival: Robin Wright’s Land is a hollow retread of better survival dramas Abby Monteil, October 26, 2023
MusicSundance Film Festival: Street Gang offers a feel-good, yet surface-level return to Sesame Street’s radical roots Abby Monteil, October 26, 2023
MoviesSundance Film Festival: Tessa Thompson and Ruth Negga stun in Passing, Rebecca Hall’s ambitiously composed debut Abby Monteil, October 26, 2023
MoviesSundance Film Festival: Censor is a bold, bloody descent into video nasty panic Abby Monteil, October 26, 2023
MoviesSundance Film Festival: Rodney Ascher dives deep into simulation theory with A Glitch in the Matrix Abby Monteil, October 26, 2023
MoviesSundance Film Festival: Strawberry Mansion is a charmingly oddball sci-fi parable about consumer culture Abby Monteil, October 26, 2023
MoviesThe World to Come is a poetic lesbian frontier romance that can’t quite transcend the sum of its parts Abby Monteil, October 26, 2023
MoviesWonder Woman 1984 is a fun, overstuffed throwback that can’t reach the original’s heights Abby Monteil, October 26, 2023
MoviesRyan Murphy’s The Prom isn’t the party invite theater lovers deserve Abby Monteil, October 26, 2023
MoviesAmmonite is a dreary period romance that struggles to find its spark Abby Monteil, October 26, 2023
MoviesClea DuVall’s delightfully queer Happiest Season has the makings of a holiday classic Abby Monteil, October 26, 2023
MoviesNYFF: The absurdist French Exit gifts us a Michelle Pfeiffer’s cat séance, little else Abby Monteil, October 26, 2023
MoviesLocal director Dan Wayne discusses his Bigfoot taxidermy documentary Abby Monteil, October 26, 2023
MoviesNYFF: Nomadland is a tender exploration of American life on the fringes Abby Monteil, October 26, 2023
MoviesMangrove adapts a landmark British civil rights trial into a stirring courtroom drama Abby Monteil, October 26, 2023
MoviesNYFF: Tilda Swinton shines in The Human Voice, a strong cocktail of Almodóvar-ian melodrama Abby Monteil, October 26, 2023
MoviesTime is a poignant and deeply personal condemnation of American mass incarceration Abby Monteil, October 26, 2023
MoviesThe Calming is a meditative portrait of a woman’s post-breakup rediscoveries Abby Monteil, October 26, 2023
