TheaterThe Unicorn Theatre and What if Puppets produce Refuge, a multilingual migrant musical Amanda Hadlock, January 18, 2023
TheaterThe Coterie Theatre's Jeff Church faces internal investigation after harassment allegations Brock Wilbur, December 23, 2022
TheaterThe Coterie’s charming A Charlie Brown Christmas befriends a new generation Deborah Hirsch, November 27, 2022
TheaterMusical Theater Heritage's Prejudice & Pride does Jane Austen justice in Southern take on classic novel Lauren Textor, July 24, 2022
TheaterThe Coterie's Alice's Wonderland is a high-energy children's hip-hop musical about Black girls programming video games Brock Wilbur, July 21, 2022
TheaterFour Inane Questions with actor Robert Hingula of Theatre in the Park Michael Mackie, July 6, 2022
TheaterMolière’s The Imaginary Cuckold reimagined at Melting Pot as a reality TV show with an all-Black cast Brock Wilbur, June 8, 2022
TheaterStreetwise newsletter: Kansas City Actors Theatre’s The Price stages unfortunately timely issues Brock Wilbur, June 6, 2022
TheaterTheatre in the Park brings The Bard to the outdoors in the guise of Something Rotten Emeline Hutton, May 23, 2022
TheaterKC Ballet’s The Wizard of Oz features a Toto-ly scene-stealing pupper puppet Michael Mackie, May 16, 2022
Culture, Music, TheaterJohnson County Community College's Midwest Trust Center reveals 2022-2023 season schedule Michael Cripe, April 27, 2022
TheaterPete the Cat is a testament to the power of Coterie's talent pool Brock Wilbur, April 13, 2022
TheaterCollective Rage: A Play in 5 Betties is a sidesplitting meditation on queerness, femininity Steph Castor, March 2, 2022
TheaterBill Nelson's Big Happy Depression Show livestream brings cathartic comedy to KC viewers Michael Cripe, February 28, 2022
TheaterKCRep for All initiative breaks down barriers to theatre within the community Adam Wilbers, February 24, 2022
TheaterOur Black Death isn't your run-of-the-mill queer Dark Ages pandemic rom-com Brock Wilbur, January 25, 2022
TheaterCoterie’s The SpongeBob Musical adapts the Broadway hit for its intended audience Brock Wilbur, December 22, 2021
