Cinematic Stereoscopy
In the creative scramble to exploit 3-D film technology in the 1950s, filmmakers quickly learned that thrusting oblong objects at the camera’s twin lenses showcased the illusion of depth at its visceral, startling best. B-movies were padded with gratuitous shots of pointed fingers, drawn guns and hurled projectiles.The 1953 horror flick House of Wax was no exception. Smartly directed…
