Brock Wilbur
Articles
Zak Hilditch’s We Bury the Dead brings clever contributions to fourth wave zombie cinema
Hazing thriller The Plague is a deranged witch hunt set against teen water polo
KC Film Critics announce 60th James Loutzenhiser Awards for year’s best cinema
Big wins for Weapons, Sinners, and One Battle After Another.
KC film critics announce year-end nominations for 60th annual awards ceremony
Julia Jackman’s 100 Nights of Hero is fantasy romance like they don’t make ’em anymore
Digging deep in the record crate with DJ Thundercutz
Unicorn’s genre-bending Magic Valley Community Theatre’s Little Women is beguiling yet baffling
Go Indigo cultivates signature sound of ’00s revitalization with new AVEC AMOR EP
Cutting fat, coloring with sonic crayons, and playing in the sandbox of pop
Letter from the Editor: The best is yet to come
Unicorn’s The JonBenét Game dares to ask “What if true crime garbage is good, actually?”
Halloween 2025 film recommendations for a very bad, bad time
Suzanne Jones on Indigenous narratives ahead of storytelling event at the Mid-Continental Public Library
Comedy experiment “Judgement Day with ‘Mike’s Got This’ DiPasquale” delivers for standing room only Ship crowd
Indie animated feature Boys Go to Jupiter brings cozy game aesthetics to the big screen
KC Current’s Lo’eau LaBonta takes a celebratory lap on bringing home the NWSL shield
Supernatural thriller Good Boy does daring drama from a dog’s perspective
Spinal Tap II: The End Continues is the rare legacy comedy sequel that is subtle, organic, and worth the wait
Reanimated Linkin Park brought a career-spanning remix circus to T-Mobile
Chris DeVille remixes 21st century indie rock’s rise with new book, upcoming KC Library event
David Mackenzie’s Relay adds a new face to the understated neo-spy scene
Guinevere Turner slashes through Screenland tonight for 25th anniversary of American Psycho
Letter from the Editor: True optimism’s co-conspirators walk into a bar
Letter from the Editor: On cleanliness, patriotism, and settling scores
Danny Boyle and Alex Garland return to U.K. rage for wildly ambitious 28 Years Later
What I wanted from this movie is not what the filmmakers wanted from this movie. Whether that's dead on arrival or a glorious playful mess is up to you.
Missouri governor activates National Guard for Kansas City, St. Louis in “proactive state of emergency” ahead of future anti-ICE demonstrations
"Unnecessary escalation from our nation’s capital and state capitals undermines local law enforcement and makes all less safe," Mayor Lucas said in a response statement.
Darren Canady’s for…girls murders ‘Death of the Author’ in cold blood
Letter from the Editor: Pride or die
Unicorn Theatre brings Shakespearian tragedy to a backyard BBQ in Fat Ham
Funko factory juggernaut Rick and Morty faces a ‘Ship of Theseus’ problem in season 8
Australian horror flick The Moogai uses Indigenous trauma to fuel a new boogeyman
"I just need to feel this way until I don't feel this way anymore."
Letter from the Editor: Caught in the undertow
In its only twist, Another Simple Favor asks absolutely nothing from you
Spinning Tree Theatre’s First Generation skewers American limitations on refugee narratives
Hypothesis Theatre Lab’s time-looper Exit 16 sees Jamie Lin Pratt rewinding more than just time
Whim’s 9th year of Alphabet Soup is another round of LGBTQ+ playwrights wrangling intimacy and immediacy
Kansas City FilmFest International announces 2025 winners from features, shorts, and homegrown cinema
Letter from the Editor: More Heisenberg, less Hindenburg
Unicorn Theatre’s fire work stages dystopian collision between Charles Schulz and child labor
Pulling from Mad Max, Oliver Twist, and Disco Elysium equally, you'd be remiss to not catch one of the final performances of "You're a Good Comrade, Charlie Brown!"
