A&E, StageTribes listens closely to one family talking in several frequencies Liz Cook, September 20, 2018
A&E, StageThe Living Room doesn’t quite find the right thread for its Eurydice Liz Cook, September 20, 2018
A&EDanny Orendorff’s last Charlotte Street show favors text over texture Liz Cook, September 20, 2018
A&EPeregrine Honig risks making a hash of selfie and trans cultures, wins Liz Cook, September 20, 2018
A&EDebra Smith’s Shifting Territory takes the textiles artist to unfamiliar places Liz Cook, September 20, 2018
A&E, StageKC Rep shines new light on Our Town — but do we see it better? Liz Cook, September 20, 2018
A&E, StageThe Unicorn’s Hands on a Hardbody gets high mileage from a low-octane event Liz Cook, September 20, 2018
A&E, StageThe effects of Kansas City Actors Theatre on Paul Zindel’s Marigolds Liz Cook, September 20, 2018
A&E, StageA little bit of this, a little bit of that: KC Fringe Fest looms again Deborah Hirsch, Liz Cook, September 20, 2018
NewsCan Shawnna Journagan and Rusty Sneary keep their Living Room party going? Liz Cook, September 20, 2018
A&E, StageLysistrata Jones: Aristophanes in college is surprisingly baller Liz Cook, September 20, 2018
A&EStanya Kahn visits the suburbs for Grand Arts’ Don’t Go Back to Sleep Liz Cook, September 20, 2018
A&ECharlotte Street’s Stench of Rotting Flowers: brilliantly decadent decay Liz Cook, September 20, 2018
A&E, StageThe Rep’s Vanya and Sonia and Masha and Spike tries to juice Chekhov Liz Cook, September 20, 2018
A&E, StageThe Unicorn overcomes Other Desert Cities‘ gaseous pronouncements Liz Cook, September 20, 2018
