Brock Wilbur

Editor-in-Chief

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Brock Wilbur is a writer/comedian who is married to political journalist Vivian Kane and cohabitates with three terrible cats. He works in games, podcasts, and is Editor-in-Chief of Kansas City’s The Pitch. Buy his book “Postal” from Boss Fight Books wherever books are sold.

Articles

ChiefsAholic: A Wolf in Chief’s Clothing follows devastating addiction framed as football fandom

"Does America love bank robbers? Well, they love a good story."

Lyric Opera’s The Barber of Seville stages a pitch-perfect rendition of the genre’s touchstone

Letter from the Editor: Return the gift

The Unicorn offers up Ebenezer Scrooge’s Big KC MO Christmas Show as holiday hooliganism on your way to the bar

Billie Eilish escapes containment at T-Mobile with sick day scrappiness

’90s basic cable late-night thrillers get raunchy resurrection in Dream Team

Daisy Ridley’s mean little neo-noir Magpie forgets to give its characters any character

David St. Hubbins blesses 2024 Thundergong! benefit for Steps of Faith foundation

Letter from the Editor: And I do my little turn on the catwalk

Spinning Tree Theatre’s musical adaptation of Bubble Boy makes for oddly prescient cultural commentary

honeybee bring saturn return EP to NKC Fall Fest on Saturday afternoon

Musical Theater Heritage’s Sweeney Todd leaves rough edges on a bloodless Sondheim staging

Electric Poe spotlights R.H. Wilhoit’s sinister signature in latest cemetery staging

Parker Finn’s Smile 2 is a claustrophobic masterclass with Naomi Scott at centerstage

Orrin Grey’s Glowing in the Dark collects a decade of critical writing about eerie, uncanny cinema

Abby Olcese’s essay collection Films for All Seasons syncs cinematic blockbusters and deep-cuts to explorations of belief

Robert DeLong, Atlas Genius co-headline Madrid for rock rave in unfortunately intimate show

Trump origin biopic The Apprentice is a gorgeously made exposé that exposes nothing new

Jason Reitman’s Saturday Night is a self-mythologizing tome that insists upon itself. It’s still the best possible version of an unavoidable film.

Robert DeLong shuffles us through his Playlist of Doom ahead of Madrid gig

DeLong co-headlines Oct. 7 alongside Atlas Genius, just after unleashing his first full-length album since 2021.

Ferocious feline felony body-horror flick Booger marks the revenge of childless cat ladies

If you like piña coladas and gettin' cat in your brain...

Letter from the Editor: Diagrams and charts mending broken hearts

Hitchcockian thriller The Wasp turns a muder-for-hire thriller into a crooked extrapolation of how the body keeps score

KCAT’s Dial M For Murder turns up the tension on a brisk ‘true crime’ precursor

Cage the Elephant’s return from five year detour finds the rock act menacingly mature

The Starlight show featured support from Young the Giant, Bakar, and Willow Avalon.

Letter from the Editor: En Garde with the Off-Guard

Pascal Plante’s Red Rooms is a transgressive, tension wrought serial killer cyber-thriller

Pandemic pod-people horror-romance The Becomers goes full GooAnon

I am only writing about Eli Roth’s Borderlands to save you $15

Turbo Kid filmmakers take a fresh bite out of ‘living impaired’ genre with We Are Zombies

Crystal Quade captures Democratic nomination for Missouri governor

Letter from the Editor: Rise and fall of a Midwest princess

Damian Mc Carthy’s Oddity curses curios for cat-and-mouse revenge

A Quiet Place: Day One is unexpectedly human for a prequel monster feature

The Flaming Lips ego trip on blissed-out fatalism at Uptown Yoshimi anniversary show

Letter from the Editor: Desperate journalist in ongoing meaningful review situation

Hatchet Job: KC’s official cast recording appoints us winter caretakers of The Shining Opera

Ariane Louis-Seize’s Humanist Vampire Seeking Consenting Suicidal Person is 2024’s most charming teen rebellion flick

Letter from the Editor: We found each other in The Glow

The Drunken Worm returns to its roots in re-revamped 39th Street location

The Worm begins soft opening events ahead of a June 10 launch party.