Brock Wilbur
Articles
Clever and heartwarming, MTH’s musical Little Women allows Alcott’s prose to fly
KC Rep’s Broke-ology is a graduate course in chemistry, not finance
Late playwright Nathan Louis Jackson's KC-based play serves as staging ground for a stellar cast but falters in its own themes.
Loud Light Kansas Politics Recap: More anti-trans bills, the missing budget, and fake election conspiracies
Training A.I. to replace us takes centerstage in Unicorn’s world premiere of Doctor Moloch
Letter from the Editor: Touched starved on Mars
Loud Light Kansas Politics Recap: Kobach’s strange opinion, election bills, and ‘midnight rule’ abolished
In this tender French art film, the server shutdown of a multiplayer videogame sparks a criminal romance
Altered Innocence's Eat the Night has a limited screening this week at Screenland Armour.
Kansas City Film Critics Circle announce 59th James Loutzenhiser awards for cinematic excellence
KCFCC celebrated the best of 2024 including The Substance, I Saw the TV Glow, David Dastmalchian, and more.
Letter from the Editor: A simple plan
ChiefsAholic: A Wolf in Chief’s Clothing follows devastating addiction framed as football fandom
"Does America love bank robbers? Well, they love a good story."
Lyric Opera’s The Barber of Seville stages a pitch-perfect rendition of the genre’s touchstone
Letter from the Editor: Return the gift
The Unicorn offers up Ebenezer Scrooge’s Big KC MO Christmas Show as holiday hooliganism on your way to the bar
Billie Eilish escapes containment at T-Mobile with sick day scrappiness
’90s basic cable late-night thrillers get raunchy resurrection in Dream Team
Daisy Ridley’s mean little neo-noir Magpie forgets to give its characters any character
David St. Hubbins blesses 2024 Thundergong! benefit for Steps of Faith foundation
Letter from the Editor: And I do my little turn on the catwalk
Spinning Tree Theatre’s musical adaptation of Bubble Boy makes for oddly prescient cultural commentary
honeybee bring saturn return EP to NKC Fall Fest on Saturday afternoon
Musical Theater Heritage’s Sweeney Todd leaves rough edges on a bloodless Sondheim staging
Electric Poe spotlights R.H. Wilhoit’s sinister signature in latest cemetery staging
Parker Finn’s Smile 2 is a claustrophobic masterclass with Naomi Scott at centerstage
Orrin Grey’s Glowing in the Dark collects a decade of critical writing about eerie, uncanny cinema
Abby Olcese’s essay collection Films for All Seasons syncs cinematic blockbusters and deep-cuts to explorations of belief
Robert DeLong, Atlas Genius co-headline Madrid for rock rave in unfortunately intimate show
Trump origin biopic The Apprentice is a gorgeously made exposé that exposes nothing new
Jason Reitman’s Saturday Night is a self-mythologizing tome that insists upon itself. It’s still the best possible version of an unavoidable film.
Robert DeLong shuffles us through his Playlist of Doom ahead of Madrid gig
DeLong co-headlines Oct. 7 alongside Atlas Genius, just after unleashing his first full-length album since 2021.
Ferocious feline felony body-horror flick Booger marks the revenge of childless cat ladies
If you like piña coladas and gettin' cat in your brain...
Letter from the Editor: Diagrams and charts mending broken hearts
Hitchcockian thriller The Wasp turns a muder-for-hire thriller into a crooked extrapolation of how the body keeps score
KCAT’s Dial M For Murder turns up the tension on a brisk ‘true crime’ precursor
Cage the Elephant’s return from five year detour finds the rock act menacingly mature
The Starlight show featured support from Young the Giant, Bakar, and Willow Avalon.
Letter from the Editor: En Garde with the Off-Guard
Pascal Plante’s Red Rooms is a transgressive, tension wrought serial killer cyber-thriller
Pandemic pod-people horror-romance The Becomers goes full GooAnon
I am only writing about Eli Roth’s Borderlands to save you $15
