Taken

Taken is one dumped-in-January film that’s better than it needs to be but still isn’t good enough. Retired from his job as an ass-kicking American operative to be closer to his daughter, Kim (Maggie Grace), Bryan (Liam Neeson) can only listen in horror when she calls from Paris while human traffickers abduct her. Directed by Pierre Morel, Taken tells a pretty standard not-my-child! revenge story concerning Bryan’s one-man mission to bust heads in the City of Lights. As one would expect from writers Luc Besson and Robert Mark Kamen, the film gives action fans a few glimpses of picturesque international locales before the story gets down to the business of shooting, maiming and torturing vaguely foreign baddies. Neeson’s tormented weariness lends an air of dignity to the film’s pulpy, grubby nastiness, but as striking as he is in action-hero mode, the truth is that Taken doesn’t need dignity. It requires tongue-in-cheek machismo that mocks the story’s B-movie inanities while playing them to the hilt.