Stage Capsule Reviews
A Christmas Carol Could even that hooded and horrifying Ghost of Christmas Future have guessed that Charles Dickens’ slight, sentimental Christmas ghost story would outshine even Great Expectations or David goddamn Copperfield in the public imagination 163 years after its composition? This is the Kansas City Repertory Theatre’s 26th stab at it, and the troupe has again assembled a grand cast: Gary Neal Johnson as Scrooge, with Kathleen Warfel, Merle Moores, Mark Robbins and Rusty Sneary in other roles. Here’s a story you know like the house you grew up in: Outside it, you may not remember every bit, but once you’re in, you’ll recognize what’s behind every corner. Ghost of Christmas Future says the good money’s on this happening next Christmas, too. Through Dec. 24 at the Spencer Theatre in UMKC’s Performing Arts Center, 4949 Cherry, 816-235-2700.
Every Christmas Story Ever Told! After running with that wildly successful menopause musical for nearly a third of a year, the American Heartland Theatre launches its new season with a show that also seems a sure thing: A group of actors, heartsick at the thought of yet another A Christmas Carol, instead dash off through every other Christmas story they can think of in one 90-minute comedy. With skilled comic actors Ken Remmert, Ron Megee and Martin English, this has potential. Still, we can already think of Christmas tales they’ll likely leave out: that one about the dead Santa-playing daddy from Gremlins, say, or that whole crazy thing about King Herod killing every newborn male in Jerusalem. Through Dec. 31 at American Heartland Theatre at Crown Center, 2450 Grand, 816-842-9999.
Monkeys With Hand Grenades Of the three different shows offered at Comedy City, Monkeys is the most anarchic, despite being the only one with a script. Aimed at grown-ups (as opposed to CC’s popular keep-it-clean improv game shows, which run every weekend), Monkeys offers rapid-fire sketch comedy, attempting to cram 30 separate plays — each written by and starring the troupe — into just 60 minutes. The quality varies from show to show, but the smart, sharp cast guarantees at least a couple of killer bits; on their best nights, they’re a delight. Friday and Saturday at 10 p.m. at Comedy City, 300 Charlotte, 816-842-2744.
Songs for a New World Kansas City’s unofficial yearlong celebration of Jason Robert Brown, the youngish musical theater composer, culminates with this audacious 1995 song cycle, which covers 500 years of American life in a series of stirring numbers. The cast is led by Damron Russell Armstrong, who was designed by God expressly for musical theater. The ensemble is led by musical director and pianist Daniel Doss — if he’s involved, it’s worth checking out. Through Dec. 9 at Union Station’s City Stage, 30 W. Pershing Rd., 816-460-2020.
Terror on the Toyland Express Since its inception, the Mystery Train has staged clever, interactive mysteries set on dining cars headed to or from Union Station in various eras of Kansas City’s past. This time, things get weirder: The train is a Lionel electric, chuffing around the mayor’s Christmas tree in front of Union Station, and the murderer, the victim and assorted other passengers are all toys. Was the culprit Post-Partum Barbie, Murder-Me Elmo or just a lack of batteries? Whatever the solution — and, after playing along with the actors, you will be asked to provide one — we’ve hit on one sure-fire clue indicating this could be good: George Forbes, one of the city’s most compelling actors, heads the cast. Through Jan. 6 at the Hereford House, 2 E. 20th St., 816- 813-9654.
